Deviating from the historical facts, Lola is introduced as a young Spanish “Gypsy” who becomes involuntarily embroiled in an attempt to poison the Infante of Spain (a short but splendid cameo by Heinrich George). As a result, she has to flee the country, arriving first in Italy, where she is taught how to act like a lady. Later, in Paris, she is invited to dance at the city’s prestigious opera house, becoming a worldwide sensation. She then becomes secretly involved in a revolutionary plot by Louis Napoléon, the future emperor of France. When the plot fails, Lola is once again forced to flee, this time to Munich, where she captures the attention of Ludwig I. Their ensuing affair arouses a great deal of hatred among the people and the establishment, however. In the end, Lola has no choice but to leave again, and vanishes into the night mist.
Lola Montez
Corregidor von Barcelona
Studiosus Ludwig von Hirschberg
Ludwig I., König von Bayern
Don Miguel
Donna Juana
Madras, ein Zigeuner
Journalist Beauvallion
Hoftheaterintendant
Meyerhöfer, Schokoladenfabrikant
Oberkoch
Lieutenant Nussbaum
Havard, Gastwirt
Hotelintendant
Staatsrat von Berks
Studiosus Peisner
Pillet, Direktor der Pariser Oper
Louis Napoleon
Baron Rothschild
Minister von Abel
Primaballerina
Studiosus Friedemann
Junger Venezianer
Eine Zigeunerin