Aurora Martinez is the perfect example of an empowered woman who managed to create a name for herself from her career as a director. Martínez’s films are produced almost exclusively in Mexico, with dialogue in Spanish and marketed to the Latin American population. Although her productions receive virtually no theatrical release in the United States, they can be found in many U.S. video outlets, both in VHS and DVD format. Martínez’s movies are...
Aurora Martinez is the perfect example of an empowered woman who managed to create a name for herself from her career as a director. Martínez’s films are produced almost exclusively in Mexico, with dialogue in Spanish and marketed to the Latin American population. Although her productions receive virtually no theatrical release in the United States, they can be found in many U.S. video outlets, both in VHS and DVD format. Martínez’s movies are generally in the action genre, concentrating on such staple themes as feuds between drug traffickers, illegal trade in human organs, and police investigations, and thus they are not of a kind that normally attracts the attention of foreign film critics. The two facts aforesaid likely explain why she is virtually unknown in the English-speaking world, despite her highly prolific output. Martínez appears on screen in many of her movies, though almost never in a leading role. She has often cast Mario Almada in leading roles including, Tijuana, ciudad de narcos in 1998. Her movies tend to portray extreme, explicit violence.
Todo personal
Herencia Homicida
La Revancha del Heroe Silencioso
Las 4 bellas del norte
Death Dealers
Monjas narcotraficantes II
Vengarse matando
Un Asesinato Perfecto
El fantasma de la coca
El héroe silencioso
La muerte del judicial
Pueblo sin leyes
Bachelor Party
Por un vestido de novia
The Mirror's Reflection
La zorra millonaria
La fuga del penal de Apatzingán
El regreso de Camelia la Chicana
Por tu maldito dinero
Son tus perjúmenes mujer
El tesoro de las brujas
Seeing Double
Ellas asesinas
Ahogado el niño se tapa el pozo